Tara de la Garza
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Opening May 31st 2012 presented by Chashama
What Could You Do Here?
1351 Amsterdam @ 126th st NY NY
A collaborative installation by Tara de la Garza and Amanda Browder
Opening Thurs May 31st
7.00pm on the Hudson Meet for Sunset Mocktails (2 blocks away from exhibit)
West Harlem Piers Park (lots of free parking at Fairway)
8.30pm at 1351 Amsterdam Ave at 126th st - Exhibition viewing
After party at TOAST, 3157 Broadway at Tiemann Pl
Runs till June 4 2012 - 24/7
Artists in the city are the gleaners of space. Taking inspiration from the vacant store-front,
the surrounding neighborhood and the city of New York itself, the artists create an 'alternate'
window display that reacts/responds with the community through projections, soft sculpture and
tape art. Tara de la Garza takes a roasting hen to a day spa for a massage. Amanda Browder uses
locally donated fabrics to recreate a psychedelic vortex of color. From a neighborhood live poultry
shop to the bright colored prismatic signage, this installation shows a core sample of how any vacant
space is already unique.
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RIPE:Conception & Perception, Book launch
Wed March 30th 2011, 6-8pm Allegra La Viola Gallery NYC
Buy prints and limited edition book here
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Exhibiting these three painting at MASS MOCA Jan 23- March 31, 2011
as part of 'An Exchange with Sol Lewitt' (curated by Regine Basha)
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RIPE:Conception & Perception, Exhibition
October 2010 Aferro Gallery
Listeria Lunch Series Buy prints here
This is an excerpt from a projection/painting on canvas
of dancer Lucy Rupert at 9 months pregnant.
“When your body becomes unpredictable, the lack of control is very confronting. I want to show
that women can be more than capable in this state, they can be creative vital human beings who can have enormous strength.”
Drawing on various sources of inspiration, from history to popular culture,
the artist Tara de la Garza is questioning underlying assumptions about
motherhood, and critique the myths and taboos of this fundamental act.
Referencing her personal experiences (the artist was pregnant in the lead
up to this exhibition), the multi media artworks will address various
themes associated with the gestational and post partum experience.
Tara is interested in depicting women who, like herself, do not conform to the
notion of the passive and nurturing female, one whose exclusive raison d'être
is to procreate. Normally working with toxic materials, such as oil and
spray paint, de la Garza has chosen the more gentle mediums of ink and watercolor to
present her journey. One of her works Conception will be distributed to audience
members who wish to conceive.
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BY THE LIGHT 2009/10
The ubiquitous use of cell phones and specifically the phenomenon
of text messaging have indelibly altered our culture of communication.
Observed in a public location, texting will make a person feel more
at ease in an alien environment, the light of the phone attracts others
attention, becoming inadvertedly a mating tool, a way of convincing
others of the texter's popularity.
This project is about the influence of technology on culture,
specifically cell phones and text messaging. The artist engages
with the community and takes their photos using the light of their
cell phone. This creates an interesting juxtaposition as the subject
is willing to have their portrait taken, thus engaging with the artist
and yet they are absorbed in the passive communication of text messaging.
These images will often be blurred, capturing an essence of the subject
only. The subject is distracted by their phone, the portrait is
unconventional as the subject is not facing the camera. This illustrates
the disconnect in a group dynamic when one person is preoccupied with
their cell phone.
Exhibited at 223 East Broadway Oct 2009 published courtesy of Adorama Jan 2011
Chelsea Hotel Studio photo taken whilst doing BY THE LIGHT portraits
(photo courtesy Michael Steele)
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Implosion Projection 2010
http://www.youtube.com/watch?v=Y5EPUYC1a-o
This is a video projection on a painted canvas. The scene on the canvas reflects
the video at 2 points, when they line up the eye is confused.
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Exquisite Salvage 2010
This was a collaborative installation with Amanda Browder in a derelict (read as : texturally rich!)
storefront on the corner of East Broadway and Clinton st in the LES. We using materials that either
existed in the space or as post consumer waste. Borrowing from the Surrealist concept of the exquisite
corpse, each artist would work in the space for 3 weeks and consecutively add to the installation
and reference the previous artist's work. Unfortunately the landlord found a tenant for
the space before we opened and we got the boot - this is my installation. Thanks to Lucien from
the Invisible Dog for materials.
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NO LONGER EMPTY 2009
Tara de la Garza, Neon Dreaming, 2009, neon and plexiglass
One of the opportunities that has arisen from an economic downturn
is the proliferation of defunct signage. Be they coveted neon signs
from the corner noodle store, to global franchises in disarray,
by searching the ‘boneyards’ of Chinatown and beyond I am able
to present a sculptural conglomeration of broken dreams.
Exhibited at the storefronts at the Chelsea Hotel as part of
www.nolongerempty.com
Tara de la Garza,the possibility of a painting, 2009,
wall painting and limited edition screenprint
(available at nolongerempty.com)
Inspired by the conceptual ideas of Sol LeWitt and
Lawrence Weiner, I want to create a painting for
the undecided, filling a space without the
commitment of a major aesthetic decision. The color
used is similar to the background wall color so that
it is a faint surprise that changes with the light.
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Good Morning! Intervention 2009
I am a morning person and on my morning walk it struck me as strange that the
only people who say 'Good Morning' to me in NYC are parking attendants, construction
workers and Litza the crosswalk lady. So I got some vinyl stickers made (which
are easily removed if anyone finds them offensive)and I am going about trying
to change the culture in a small way.
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The Clubhouse
Two month residency at Agni Gallery NYC July 1 - Aug 30 2008
The project involved building a giant cubbyhouse (clubhouse) out of cardboard and
other random objects, to create a place of sanctuary and playfulness in
the East Village. A place where all could come and reflect on the secret
environments we create during childhood.
The work was an ‘interactive happening’,
one that
involved the viewer. The space was designed so that meaning would
evolve organically, it was a process that was not controlled.
The audience were encouraged to write and draw on the installation with their
personal stories of childhood adventures, or to just come and play.
Workshops were held in the space and the final outcome was a collaborative
exhibition of the works created.
Video of installation
http://www.youtube.com/watch?v=N6h707skf24
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MYSPACE Series 2008
Tara de la Garza, ELECTRO~sexual in the HIZZ~OUCE, 2008, oil and marker on board, 20 x 20 in.
This ongoing series stemmed from a visit to NYC by my teenage sisters from Australia.
They were all cool and unaffected by everything, until they got home and I saw their
MySpace pages, which had all these crazy/happy/lively images of them having a great
time. It occurred to me that they were 'branding' themselves in the photos, that our
adventures together
were merely stages for a photo opportunity to enhance their online
credibility.
On further research (some of which my willing sisters assisted with) I found a series
of MySpace portraits of subjects so absorbed in their own image that they hadn't
considered the background that they were taking the photos in. These paintings portray
a two dimensional aspect of this MySpace generation.
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New York Portraits 2008
Tara de la Garza, Joel and Uffie, 2008, oil on printed canvas, 24 x 36 in.
Tara de la Garza, Mike in Chinatown, 2008, oil on printed canvas, 24 x 36 in.
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please intervention 2007
Tara de la Garza, please intervention, 2007
Just one little word...
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NEW YORK Subways and Street Series 2007 - 08
Tara de la Garza, NY Subways #1 2007 , oil and acrylic on canvas, 30 x 46 in. (collection Jason Devaney)
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FAUX DISASTER Series 2008
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Mail/Art Global Collaborative Massive 2006 - ongoing
Tara de la Garza, Michelle Elliot and Rox DeLuca Mail/Art, acrylic, stitching and doilies on chinese book
Please check out our website.
www.taradelagarza.com/mailart.html
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GUTTER TRASH Series
Tara de la Garza,Gutter trash series, Installation view
Tara de la Garza,Gutter trash series #1- 3, Photographic print, ,8 x 10 in.
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STRING Theories
Tara de la Garza, String Theory 1 , Archival C Print, 24 x 36 in.
BIOGRAPHY
Exhibitions
2012 Collaboration with Amanda Browder, What Could You Do Here?, Chashama, NYC
2011 Group Show 'Town & Country' 320 Studios, NYC
2011 Group Show 'ArtJam' , Homefront ArtSpace, Princeton NJ
2011 MASS MOCA 'An Exchange with Sol LeWitt' North Adams, Massachusetts
2011 Group Show 'Art for Soul' A Gallery, NYC
2011 Book Launch'RIPE:conception and perception' Allegra LaViola Gallery NYC
2010 Fremantle Arts Festival 'Drawn Together' Moores Building of Contemporary Art, Australia
2010 2 Person show 'RIPE:conception and perception' Gallery Aferro, Newark, NJ
2010 Group Show 'Exquisite Salvage'incomplete. 210 Clinton St,NYC- 2ONETWO
2010 Group Show 'the possibility of a painting, Gallery Suite, Chelsea Hotel NYC
2009 Solo Show 'By the Light' 223 East Broadway, NYC
2009 Group Show 'No Longer Empty' storefronts at Chelsea Hotel, NYC
2009 Group Show 'Figment' Governor's Island NYC
2009 'good morning' intervention, streets of NYC
2009 Group Show 'World Of Imagination Vol.2', APW Gallery, NYC
2008 Open Studio, Performance “Life is too short NOT to stuff a mushroom” 121 Ludlow Collective, NYC
2008 Group Show, Umbrella Arts, NYC
2008 Solo Installation ‘The Clubhouse’ Agni Gallery residency, NYC
2008 Group Show ‘Movement, Color and Light, Reflect Arts, NYC
2008 Group Show ‘Dada Art Fair’ Cornell University, Ithaca, NY
2007 please intervention, streets of NYC
2007 Artomat, art dispensing machine,Chicago Art Institute
2007 Group Show ‘Mail/Art Global Collaborative Massive” ABC No Rio, NYC
Bibliography
2011 'An Exchange with Sol Lewitt' Cabinet Magazine, Mass MoCa
2011 'RIPE:conception and perception' Aferro Gallery
2007 'Ides of March' ABC No Rio
Press
2011 L Magazine Benjamin Sutton 'incredible video projection'
link: http://www.thelmagazine.com/TheMeasure/archives/2011/06/29/photos-from-town-and-country-a-street-art-show-in-midtown
2011 Cabinet Magazine 'Exhibition/An Exchange with Sol Lewitt'
link: http://www.cabinetmagazine.org/events/exchange_lewitt.php
2010 Art Hag 'The Possibility of a Painting, Chelsea Hotel' 'layered, moody, gritty subway pieces'
http://arthag.typepad.com/arthag/2010/03/the-possibility-of-a-painting-the-chelsea-hotel.html
2009 Art Comments Don Porcella
'No Longer Empty' 'change our perception of language'
link: http://artcomments.blogspot.com/2009/06/no-longer-empty-provides-answer-in-this.html
2009 The Wall Street Journal David Graham 'Making Lemonade' (printed on pg C6)
link: http://online.wsj.com/article/SB124520276897221681.html
Education
2006
BA Fine Art
Curtin University, Western Australia
2003
Certificate of Design for Industry
CMC School of Art and Design, Western Australia
1993
Advanced Diploma in Desk Top Publishing
SDC Perth, Western Australia
1990 - 1993
Diploma of Media Design, Film and Television
CMC School of Art and Design, Western Australia
1989
Preliminary Certificate of Art and Design
CMC School of Art and Design, Western Australia
1988
Exchange Student for 12 months
Kuala Lumpur, Malaysia
1987
TEE Graduate
John Curtin SHS, Fremantle, Western Australia
(Theatre Arts Scholarship)
Employment History
2005 to present
Artist, curator and graphic designer, www.2onetwo.com
1998 to 2005
Brown Cow Design, Creative Director and Partner.
Specialties include corporate identities and exhibition design as well as
theatre posters, web and print production.
1996 to 1998 Graphic Designer / Art Director for FIT the Agency
Involved implementation and production of a wide variety of advertising and
promotional campaigns using various large format print media.
1993 Writer/Director/Editor for The Office of the Family, WA Gov.
In this short term role produced a series of 5 television commercials featuring
actor Ernie Dingo aired on channels 10, 9, 7 and GWN.
1993 Performer with Bizircus
Urban circus formed for Artrage festival
1992 Screenplay Consultant for Catherine McAuley Family Centre
1992 Production Assistant for “Sweetbreeze”
16mm short film Directed by Malla Nunn and
Produced by Mark Lazarus
1991 Producer for “Fruffin”
Short drama filmed on Betacam SP. Winner Best Film,
the AFI Young Filmmaker of the Year Award.
1991 Photographer / Editorial Assistant at
Perth Institute Contemporary Art
ROADKILL AUSTRALIA Series 1998
